Saturday, November 25, 2017

Shame on You, Civilization



Jeff—Saturday

This week two articles reported by Reuters on the refugee crisis in the Mediterranean caught my eye, concomitantly raising my blood pressure. Admittedly, they’re directly related to the subject of my ninth Andreas Kaldis mystery-thriller, AN AEGEAN APRIL, coming January 2nd from Poisoned Pen Press. But this is not about promoting my book.

This post is directed at western governments that, while righteously condemning atrocities in what they deign less civilized regions of the world, are at the same time brazenly complicit in condoning equivalent behaviors designed at keeping refuges from reaching their national borders.

Here’s what Reuters had to say this week about the migrant situation on the Greek island of Lesvos (population 86,000)—the setting for An Aegean April—a situation that is the direct result of an agreement reached between the EU and Turkey to shut down the route taken by refugees into Greece, via Turkey, on their way to Northern Europe.  


 “Greek Island on Strike In Protest Against Becoming a Migrant ‘Prison.’”

ATHENS (Reuters—Karolina Tagaris) - Residents on the Greek island of Lesbos went on strike on Monday to protest against European policies they say have turned it into a “prison” for migrants and refugees….

Just a few miles from Turkey’s coast, Lesbos has borne the brunt of Europe’s migrant crisis. In 2015, nearly a million people - most fleeing Syria, Iraq and Afghanistan - landed on its shores before heading north, mainly to Germany.
It is now hosting some 8,500 asylum-seekers in facilities designed to hold fewer than 3,000.
“Lesbos is not an open prison, nor will we allow anyone to view it as such,” Mayor Spyros Galinos was quoted as saying by the Athens News Agency.
Thousands of asylum-seekers have become stranded on Lesbos and four other islands close to Turkey since the EU agreed a deal with Ankara in March 2016 to shut down the route through Greece.
Some have been moved to camps on the mainland, but authorities say the terms of the agreement prevent asylum-seekers from travelling beyond the islands.
Rights groups have described conditions in camps across Greece as deplorable and unfit for humans. On Lesbos, violence often breaks out over delays in asylum procedures and poor living standards.
“The message (today) was that we can’t take it any more,” Galinos said. “Lesbos is in a state of emergency.”
And here’s the second article, this one addresses the deal with Turkey, but also the shame implicit in an EU deal that enlists Libya to keep refugees from making it to Italy, and from there on into Northern Europe.  Don’t miss the last two sentences…assuming you have the stomach for what civilized governments are willing to sweep under the rug in the name of protecting their national interests.

Mediterranean ‘by far world’s deadliest border’ for migrants, IOM says.
More than 33,000 migrants have died at sea trying to reach European shores this century, making the Mediterranean "by far the world’s deadliest border", the United Nations migration agency said on Friday.

After record arrivals from 2014 to 2016, the European Union’s deal with Turkey to stop arrivals from Greece, and robust patrols off Libya’s coast have greatly reduced the flow, the International Organization for Migration (IOM) said.

Professor Philippe Fargues of the European University Institute in Florence, author of the report, said the figures probably underestimated the actual scale of the human tragedy.

"The report states that at least 33,761 migrants were reported to have died or gone missing in the Mediterranean between the year 2000 to 2017. This number is as of June 30," IOM’s Jorge Galindo told a Geneva news briefing.

"It concludes that Europe’s Mediterranean border is by far the world’s deadliest," he said.
So far this year some 161,000 migrants and refugees have arrived in Europe by sea, about 75 percent of them landing in Italy with the rest in Greece, Cyprus and Spain, according to IOM figures. Nearly 3,000 others are dead or missing, it said.

"Shutting the shorter and less dangerous routes can open longer and more dangerous routes, thus increasing the likelihood of dying at sea," Fargues said.

The report said: "Cooperation with Turkey to stem irregular flows is now being replicated with Libya, the main country of departure of migrants smuggled along the central route; however, such an approach is not only morally reprehensible but likely to be unsuccessful, given the context of extremely poor governance, instability and political fragmentation in Libya."

Libya’s UN-backed government said on Thursday it was investigating reports of African migrants being sold as slaves and promised to bring the perpetrators to justice.

Footage broadcast by CNN appearing to show African migrants being traded in Libya sparked an international outcry and protests in Europe and Africa. [Stephanie Nebehay for Reuters]

Shame on all for going along.


—Jeff

Jeff’s Upcoming Events

My ninth Chief Inspector Andreas Kaldis novel, AN AEGEAN APRIL, publishes on January 2, 2018 and here is the first stage of my book tour:

Thursday, January 4 @ 7PM
Poisoned Pen Bookstore,
Scottsdale, AZ (joint appearance with Thomas Perry)

Saturday, January 6 @ 2 PM            
Clues Unlimited
Tucson, AZ

Monday, January 8  @ 7PM
Vromans (on Colorado)
Pasadena, CA

Wednesday, January 10 @ 7PM                   
Tattered Cover (on Colfax)
Denver, CO

Saturday, January 13 @ 2 PM                      
Book Carnival 
Orange, CA

Sunday, January 14 @ 2 PM
Mysterious Galaxy
San Diego, CA

Wednesday, January 17 @ 7 PM      
Third Place Books (Lake Forest Park)
Seattle, WA

Sunday, January 21 @ 7 PM
Book Passage
Corte Madera, CA

Friday, November 24, 2017

A home in one.



Him Indoors and his mother took a trip recently to visit this place. Mother is well into her 70's and had not travelled in a plane for over thirty years. To make up from that, she had six flights in  five days. For ease of passage, Him Indoors had left a few hours between each connection  for having a 'nice cup of tea.'


Granny and grandson reunited. He's the 18 year old golf scholarship person.
He's tall. He eats like a plague of locusts.
He leaves no food behind him.


Some Missouri sculpture.
This is all around Columbia.
A certain Mr Deaver studied journalism at this uni.

There were four gyms at the uni. Cardio, light, heavy and American Football.
Granny is practicing in the gym at the hotel.

more sculpture. Maybe the entrance to the town hall?
The golfer did not know as it did not lead to a golf course.

and some more. Maybe a bank, where a young golfer might keep his millions one day.

a wee breather. in the hotel foyer... Jamie checking his phone. I think if he was in hospital he'd check his phone more often than his oxygen supply. 

Ahhh, a place to do some academic studying.
Or play golf videos on You Tube.


A study area in  the student accommodation. Doesn't look that well used,


Open air eating and sunshine.  This is the life of a student nowadays...

A kitchen.
Jamie has never used one of these.



Living room



The penthouse games room view.
And sunshine.

Entrance to the Uni- a bit grand.

The famous square at Mizzou.



The main uni building.
Trophy room at Mizzou golf course



Columbia main street

National Lampoons? 
We Brits have no idea what all this is about.

Some Scottish rain to make them feel at home.

Another frat house. The sports scholarship students are not encouraged to join, maybe due to conflict of interest. To me it only leads to activity that gets you investigated in Law And Order.

Nice though. Where does the money come from?
Collapsed and exhausted. Him indoors left her there for two days then picked her up on the way to the airport.

All back now, safe and sound,

Cato Ramsay 24 11 2017

Thursday, November 23, 2017

Memory Lane

Stanley - Thursday

I was thinking about my childhood recently - of the Fifties and Sixties.  And how fortunate I was to have a loving family, food on the table, and parents who prized education and, of course, books.

That sparked memories of things that if I told youngsters of today, they would look at me blankly.

A tickey box

Public telephones used to cost threepence for a three-minute call.  In South Africa, a threepence coin was called a tickey.  Hence the name.

I remember the tickey box at the tuck shop at school - some enterprising future scientist had rigged up a wire from the innards of the box which, if you touched it to a small metal plate on the receiver, completed the call without having to pay.

Abandoned tickey boxes
A one-and-thrup

Comic book stories - longer and more complex than Superman or Popeye - were very popular.  For us they were expensive, but much sought after.  They cost one shilling and threepence (thruppence).

Sherbet

A popular sweet (candy) was a small packet of what we called sherbet that came with a straw.  Sucking the fine powder was wonderful, except if you accidentally inhaled it.  I'm sure it was just flavoured confectioner's sugar.

Brown cow

I still enjoy an occasional brown cow - half coca cola, half milk.

White cow

I never enjoyed a glass with half milk and half lemonade (Sprite).

A sammy

My family bought most of its vegetables from an Indian man who drove along the streets with a specially adapted bakkie (pick-up truck) displaying his wares.  I guess the word sammy was slang for an Indian man.  I don't remember if it was pejorative, but it probably was, given this was South Africa.

Bioscope

Cinema

Bug house

Bioscope

Antimacassar

Cloth on the back of a seat to protect the fabric from being stained with hair oil (macassar or brylcreem).  "Brylcreem - a little dab'll do ya!" was the radio jingle for Brylcreem.

Anti-macassars on a train

Swimming costume

Bathing trunks

We still use this term in South Africa.

Cozzie

Swimming costume

Spend a penny

To urinate.

Public ablutions cost a penny to use.

Monkey gland steak

Exotic simian meal.

Just kidding!  Monkey gland sauce is a tangy sauce to put on steak.  A good recipe can be found here.

Chappies bubble gum

Fruit-flavoured bubble gum

Nigger balls

We never knew that the name of those hard, black sweets was offensive - partly because the word 'nigger' was not in common use in South Africa.  We had our own offensive terms.  They are now called black balls.

Nigger balls

Delivered milk

At the front door - every day. With dollops of cream at the top.



Goof

Pronounced as many Americans say 'roof'.  Or perhaps how Caro would say it.

Louis Washkansy

The recipient of the first heart transplant - done at Groote Schuur hospital in Cape Town by Dr. Chistiann Barnard on December 3, 1967.  He lived 18 days.



Apartheid signs

No comment necessary.








Ag, Pleez Deddy

The most famous song from the Sixties was what was known as Ag, Pleez Deddy.  Jeremy Taylor wrote and played "The Ballad of the Southern Suburbs", which mildly mocked the language and accent of the southern reaches of Johannesburg.  Taylor was later banned because of his anti-apartheid stance.  You can listen to the song here, scratches and hiss included.


I'm sure everyone reading this will have similar lost memories.  Please share some.

Wednesday, November 22, 2017

Princess Only After Death



When times are frightening, worry comes easily. It’s much harder to be the one to step forward into harm's way. 

Recently, my attention was drawn back to World War II and one of its greatest heroines, aka the   “Spy Princess.” 

I am thankful for what she did—and I wish more people knew about her.

Noor Inayat Khan was born in 1914, with a background that feels uncannily familiar to my own. She had a father born in India, and a mother from the West. A cross-cultural marriage at that time seems unlikely--but it really occurred. 


Noor’s mother, Ora Ray Baker, was born in Albuquerque, New Mexico. At age 20, Ora Ray attended a lecture in San Francisco given by Inayat Khan, a musician born in Punjab in the Sufi dervish tradition. Ora asked him for an interview, and the two fell in love and married. Inayat came from a fascinating lineage: his own father was Maula Baksh, founder of a famed music academy in Baroda named the Gyanshala, and her grandmother was Casimebi, a descendent of Tipu Sultan, the Muslum ruler of Mysore who died fighting the British in 1799.

Performer Mata Hari with the Royal Hindustan Orchestra


The daring young couple married in London, and Ora Ray took the Muslim name of Amina Sharada Begum and began dressing only in sari to show her enthusiasm for India. She traveled the world with the musical group that Rahmat Khan founded, the Royal Hindustan Orchestra. Their eldest child, Noor, was born on January 1, 1914 in Moscow. After the outbreak of the Great War, the family fled to England. During their years in London, Inayat performed for both Mahatma Gandhi and Indian soldiers convalescing in hospital—as well as for grand opera productions such as Lakme that capitalized on the European interest in the Far East. Inayat came under government suspicion due to his connection to Gandhi and his skill at establishing Muslim and Indian community groups in Britain. He was seen as a risk to the stability of the British Empire. So in 1920, the family shifted to Tremblaye, France, so the musical group and other activities could continue without as much surveillance.

Noor plays the sitar 


Noor grew up with interests in poetry and mysticism, as would seem natural for someone with such a creative family life rooted in the Sufi tradition. Her happy life changed in 1927, when Inayat Khan traveled back to India to see his family, and fell ill and died in Delhi. So it was under tragic circumstances that the fourteen-year-old Noor had her first visit to India in 1928, to pay respects along with the rest of her family at Rahmat’s tomb. Now she had to be the mother leading the family in their existence in France, because her grieving mother retreated in to a life of seclusion. Their Indian uncles living in France supported them financially. Noor played sitar, piano and harp; but she also had the gift of story. After attending a French university, she began a career writing children’s stories and translating Indian stories into English. Then the Germans invaded France. Their way of life had ended. This was a watershed moment for the family who had grown up believing strongly in nonviolence. Would they aid the British, who had been the enemy of their father?

Noor as "Nora Baker" serving with the SOE

Noor understood the the danger of the Nazis. She and her brothers felt called to support the resistance, and they decided the best way to do that seemed to return to England and offer their service. Here she used the name Nora Baker to fit in with the other women workers and not attract suspicion due to her half-Indian heritage. The story of her childhood and the challenge she faced is well-described in a biography by Shrabani Basu. A PBS documentary-drama, Enemy of the Reich, is another take on her story.

Noor was one of the first women radio operators trained in Morse Code—and decoding messages for the government could have been the extent of her work, save for one fact. She was a fluent French speaker, and that attracted the attention of the office of the Special Operations Executive (SOE), the famed espionage organization set up by the British to sabotage Nazi operations in Europe. Noor was interviewed by Selwyn Jepson, the British crime writer who became the SOE’s chief recruiter. Jepson asked if she would be willing to travel back to France and transmit messages. He said she would not be protected by international laws of warfare, and only receive ordinary service pay that would be held for her in England and given to her upon return—or to her survivors, if she didn’t.

Despite the danger of job, Noor immediately agreed. While Jepson felt confident about her, other men in the SOE were concerned that perhaps she was too naïve and honest. Her own father had taught her that the worst sin was to lie. While in training as an agent in Britain, she spoke to a police officer who stopped her and said she was in the SOE—a major mistake. She was counseled and allowed to continue, in large part because her speed and skill at transmitting messages was top notch.

Noor parachuted into France in 1943, clinging fast to the 30-pound suitcase carrying all her transmission equipment and false identity papers naming her “Jeanne-Marie.” Her codename, “Madeleine,” was one she chose from the stories she wrote. Just like her own mother--she had changed identity. Noor's first action was to unite with the spy network, Prosper, to which she was assigned; but within a week, all of the members of the group were betrayed and arrested. The rookie espionage agent was on her own. The London office ordered her to return—but she refused, saying that since she was the only information conduit from Paris, she would stay until a replacement came. The government knew her capture was inevitable, but saw her act as the sacrifice of a soldier in the line of duty.

"Jeanne-Marie" worked hard sending messages and running from one part of Paris to the next, evading capture several times. She was doing the work of a six-person group alone. She communicated with a small group of French agents as well as the British. Some of her achievements during her first four months of work were identifying places for British to drop arms, assisting agents in getting out, managing distribution of arms, and insuring the escape of 30 airmen who’d been shot down in France.

The Germans knew of her existence, so she began changing her hair color—first to red, and then to blonde—and went back to the old neighborhood where she’d lived as a child. Former neighbors were willing to take her in, despite the danger she posed.

With the frequent captures of agents all around her, she must have known how close she was dancing to the fire. One day, she went to meet Canadian agents per London’s directions; the problem was, the Canadians had been captured and the people she met were non-German Nazis. Noor worked unknowingly with them for several weeks, but she was ultimately arrested and questioned in a Gestapo interrogation prison set up in an elegant mansion at 84 Avenue Foch. Unfortunately, it took quite a while for the British to understand she’d been captured—they kept sending messages on the radio, and the Germans answered using false information.

Other people held at the same time said that Noor resisted giving information even under torture. She attempted escape at least twice; in the end she was kept in solitary confinement and shackled. I can only imagine how dispiriting this must have been, and I wonder if she turned to the prayers and songs of her childhood for comfort.

The war had definitively turned in the Allies’ favor in September, 1944, and it became crucial for the Nazis to eliminate imprisoned agents who might later reveal their actions during the war. Noor and other women resistance agents were transferred from France to Germany and the Dachau 
concentration camp in Germany. There, Noor was identified as an especially dangerous type—they called her “the Creole” and was given the most sadistic treatment. She spent her sole night at Dachau being kicked and beaten and was ultimately shot to death along with the other women agents. It was September 13, 1944—seven months before the camp was liberated by the Allies.



Noor Inayat Khan was just one of many women working against Hitler who were killed in the line of duty. She is popularly called her the “Spy Princess” due to the longago link to Tippu Sultan, although she was by no means a royal.

Noor never was able to see her family after leaving England for France in 1943--and she certainly didn't get the service pay the British government promised for her service. But she was one of three SOE women awarded the George Cross, and she also received the French Croix se Guerre.


Five years ago, the British artist Karen Newman sculpted her image. Her likeness stands in London’s Gordon Square near her former childhood home. Fortunately, it does not say "Spy Princess," a title she would never have been called, had she lived. Noor's face holds a quiet, melancholy expression--as if she knows this, too. 

Tuesday, November 21, 2017

Modi's haunts

This is a big year for Modigliani. He left us in 1920 but his paintings sell for millions and there's a show at the Tate Modern in London.
Here's a link to an article from the Guardian. I like how the journalist searches out some of his haunts, as I did and also huffed and puffed up to his last studio wondering how a tubercular man could do it everyday.  https://www.theguardian.com/travel/2017/nov/19/naked-attraction-art-modigliani-paris-montmartre-montparnasse
However, when I visited his former atelier (before this couple started giving dinners) I loved looking out the window, seeing the light as Modigliani had seen it.
On the floor below lived an older Russian artist, a woman who greeted me with wild piled up hair, and what do you want? To see your studio, Madame, maybe?
Ah no, I'm working. But over her shoulder I got a peek of an atelier that hadn't changed since Modi's time.
In Modigliani's lifetime he had one solo painting exhibition which was quickly closed by the police for indecency.

He sold few works in his lifetime, even with an agent who gave him a studio space in his home on rue Joseph Bara and fed him for awhile. He died tubercular and penniless in the charity hospital after living in a cold attic garret with the mother of his child, Jeanne a painter herself, pregnant with their second. Two days after Modi died, his friends gave him a big send off at Pere Lachaise, some said almost in guilt for the neglect they'd shown him. Jeanne, unable to attend the funeral and taken hostage by her strict Catholic family, jumped from their apartment roof to her death with her unborn child.
The year hadn't passed before his paintings were selling.
Granted he couldn't have been an easy friend - always without a sou in his corduroy jacket pocket, his drinking, feverishly ill
arguing with Picasso, dancing on the table at la Rotonde cafe and tearing fellow patron Lenin's newspaper out of his hands. True. Lenin hated him.  So fascinating that these two icons knew each other. When I found this out researching Murder Below Montparnasse, it stimulated a what if...what if that moment was about something else?
His surviving daughter whom Jeanne's parents refused to acknowledge was sent to Italy and raised by Modigliani's family. She came back to France joined the Resistance and had two daughters by a Resistance colleague who was married. According to reports, his daughter believed a dodgy art historian who authenticated fakes and died penniless herself. That injustice stirred me in so many ways that it had to go in a book.
Cara - Tuesday

Monday, November 20, 2017

Jane Peterson at Home and Abroad


Annamaria on Monday


What you see above is the cover of the catalogue to a fabulous exhibition--the first one-woman retrospective of Jane Peterson's work in forty-five years. You can see it at the Mattatuck Museum in Waterbury, Connecticut.  I would not have been part of this endeavor if I did not have the huge good fortune of being part of this MIE blog team.

You see, in April of 2015 I posted about one of my favorite artists.  I love her work, and I so admire the adventurous, independent woman she was. David and I discovered Jane Peterson in our search for original American Impressionist art that we could afford. Highly appreciated in the first part of her career, Peterson’s pictures were later eclipsed, with the dawn of abstract art.  While men of her generation—like Childe Hasam, Maurice Prendergast, and William Merrit Chase—remained in the public eye, Jane was one of those massively under appreciated painters who possessed the flaw of being female in a man's world.




And I don't mean that Peterson was just no longer famous.  She has been almost completely unknown.  Consider this: About three years ago, when the Director of the Mattatuck Museum came across two Petersons in an obscure collection in Maine, he--an art expert--had never heard of her.  He emailed his colleague Cynthia Roznoy, a PhD art historian for information about Jane.  She also drew a blank. Reasearch began. And, mirabile dictu, my blog post came up in the ensuing internet search. When Cynthia contacted me, I was thrilled to hear that Peterson might be finally getting the new recognition she deserved. I became an enthusiast for the idea of a retrospective.  Once work on the show was well underway, Roznoy met with a group of us collectors and we became charter members of the New York Chapter of the Jane Peterson Fan Club!

Cynthia Roznoy, with a great deal of passionate work—new scholarship, tracking down works, negotiating loans from collectors and museums, inspiring donors to support the exhibition—brought the project to fabulous fruition. Here are some images from the special preview last Thursday evening. 

Cynthia Roznoy introduced Peterson with this beautiful portrait, which
she described as so like Jane--perched on a chair, with her hat on and
her paint box in her lap, ready to get outside and get to work.

Evening, Holland Fishermen, Volendam, 1907*
The lead off picture in the show was this one, the earliest of her paintings,
a proud moment for me, since it is one of mine and David's.


Here, also ours, is the evidence of Peterson's adventurous spirit.  She traveled alone to Turkey and North Africa in the mid-1920s to paint the exotic scenes she craved.

Street in Old Constantinople, c. 1924*



Here I am with my friend Sid Hauser, fellow founding member of the NYC
Chapter of the fan club. That's his Venetian scene between us, mine and David's on either side.
And here are some better images of our works: 

Venetian Lagoon, c. 1920*

Clock Tower, c. 1920*

*Photographs, Josh Nefsky


In exhibitions like the one just opened at the Mattatuck, I like to fantasize about which works I would take home if I could.  Here (with apologies for my lopsided photography) are the ones I would have spirited away:

This first one because it is of my favorite ghost of New York, as well as being beautiful:


1918 Victory Arch at Madison Square, 1919
Herschel & Adler Galleries, New York
 And this one because it is so gorgeously chic with its dark background, especially in its perfect tarnished silver frame.

Still Life with Flowers (Tulips), c.1925-30
Eskenazi Museum of Art,
Indiana University